Coming autumn 2019. From Miloš Mestas Editions, a new publication focusing on the the iconic body of work of — and produced with — Bruce LaBruce, the internationally acclaimed filmmaker, photographer, writer, and artist.
Along with a number of short films, he has written and directed nine feature films, including his most recent, Gerontophilia, which won the Grand Prix at the Festival du Nouveau Cinema in Montreal in 2013, and Pierrot Lunaire, which won the Teddy Award Special Jury Prize at the Berlinale in 2014. As a visual artist he is represented by Peres Projects in Berlin, and has had numerous gallery shows around the world, the latest of which, called Obscenity, a photography exhibit, caused a national ruckus in Spain in 2011. His feature film L.A. Zombie was notably banned in Australia in 2010 after having been programmed at the Melbourne International Film Festival. It later premiered in competition at the Locarno Film Festival, Switzerland that same year.
LaBruce has written and directed three theatrical works at the Hau Theater in Berlin. He has also directed theatrical works at the Theater Neumarkt in Zurich, Switzerland, and he participated as a director in the Hau Theater’s ambitious X-Homes project in Johannesburg, South Africa. LaBruce has written a premature memoir called The Reluctant Pornographer, and has had two books published about his work: Ride, Queer, Ride from Plug-In Gallery in Winnipeg, and Bruce(x)ploitation, a monograph from his Italian distributor, Atlantide Entertainment.
LaBruce has contributed to a variety of international magazines, newspapers and websites as both a writer and photographer, including Index Magazine, for which he also acted as a contributing editor, Vice, The National Post, Purple Fashion, The Guardian, and many others. He has also been a regular columnist over the years for Eye, Exclaim! and Vice magazines. Additionally, LaBruce has directed a number of music videos, two of which won him MuchMusic Video Awards in Canada.
Most recently, LaBruce has been honored with film retrospectives at both TIFF/Bell Lightbox 2014, and at the Museum of Modern Art in New York, 2015. The MoMA retrospective featured all nine of LaBruce’s features as well as a program of short films. All of the films have now become part of MoMA’s permanent film collection.